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Annotated Art
Your eyes will indeed be opened, and what you see in works of art will come newly alive when you have Robert Cumming, the former chairman of Christie's International Art Studies, as your guide. With tremendous erudition and tart, provocative opinions, Cumming zeroes in on the essential characteristics of more than 770 painters, showing us, for example, what it was that made Rembrandt's art unique. He explains the conventions of narrative and iconography in Western art, such as the representation of St. Lawrence, who is always seen lying on a hot griddle. And Cumming defines several hundred terms-- both technical (gouache, sfumato, craquelure) and critical/historical (Expressionism, Mannerism, the Hudson River School)-- that so often mystify a viewer. Cumming's no-nonsense guide is enlightening and entertaining; lavishly illustrated with the key works of hundreds of artists; concise and portable enough to use in the "field" (museums and galleries); and so substantial you will refer to it often at home. There is nothing like ART.
Art and Discontent: Theory at the Millenium
In these six essays, Thomas McEvilley tackles the aesthetics of formalism and proceeds to shed new light on the roots of Modernism and the collapse of the idea of history. The world-renowned critic confronts the ideas and philosophies which for two centuries have exalted art above constructive involvement in the world, and proposes a new vision for the critical enterprise. By explaining why our Modernism was not unique and why it is being superseded, McEvilley suggests functions that art performs in a post-Modern culture and offers compelling reasons why the history of art needs to be rewritten from an altered perspective. McEvilley argues, for example, against the dominant theoretical position which removed art from contextual examination by declaring its "sublime" nature somehow elevated above ordinary life, and he goes on to effectively destroy the notion that Modernism in the larger sense is an example of the superiority of technological society. More than anything else, however, he breathes real life into the intellectual understanding of contemporary art in a way that no critic has since perhaps Herbert Read. McEvilley humanizes the undertaking; in addition his wit is evident throughout. Chapters include "Heads It's Form, Tails It's Not Content," "On the Manner of Addressing Clouds," and "The Opposite of Emptiness."
The Art of Perspective : The Ultimate Guide for Artists in Every Medium
Everything you need to know to put your drawings and paintings into perspective! If the concept of perspective makes you think of confusing angles, fancy measuring gadgets and complicated theories, get ready for a very pleasant surprise. In this comprehensive guide, Phil Metzger demystifies perspective, presenting it simply as a matter of mimicking the way we see--like the way a distant mountain appears blue, or a road seems to narrow in the distance. The Art of Perspectiveoffers simple but powerful techniques for achieving a convincing illusion of depth and distance, whether it's a few inches in a still life or miles in a landscape. Start simple, with atmospheric perspective and intuitive techniques, and gradually progress to linear perspective and more complex challenges such as stairways, curves and reflections. Use the engaging, step-by-step demonstrations and exercises to try out each essential concept for yourself, making lessons clearer and more memorable. Learn theories that apply to all mediums, with specific advice for achieving effects using acrylic, oil, watercolor and pencil. Get the inside scoop on professional tricks and shortcuts that make perspective easier than ever! Forget everything you think you know (or don't know) about perspective. This book builds an easy-to-follow, ground-up understanding of how to turn a flat painting or drawing surface into a living, breathing, dimensional scene that lures viewers in. No matter how you look at it, it's the ultimate guide to perspective for artists of every medium and skill level.
Beauty and Art 1750-2000
What do we mean when we call a work of art `beautiful`? How have artists responded to changing notions of the beautiful? Which works of art have been called beautiful, and why? Fundamental and intriguing questions to artists and art lovers, but ones that are all too often ignored indiscussions of art today. Prettejohn argues that we simply cannot afford to ignore these questions. Charting over two hundred years of western art, she illuminates the vital relationship between our changing notions of beauty and specific works of art, from the works of Kauffman to Whistler, Ingresto Rossetti, Cezanne to Jackson Pollock, and concludes with a challenging question for the future: why should we care about beauty in the twenty-first century?
But is it Art? An Introduction to Art Theory
In today's art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, along with the latest research on thebrain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art.
The Encyclopedia of Printmaking Techniques
A new, up-to-date edition of the popular and comprehensive encyclopedia on printing techniques by professional artist Judy Martin. This inspirational, visual guide offers a wealth of information on all the different methods of printmaking, from monoprinting, wood engraving and etching to intaglio printing, screen-printing and more. Then, learn how to apply these methods yourself by following the helpful, illustrated step-by-step demonstrations inside to create your own printed pieces. Included is a stunning gallery of images created by professional printmakers, featured throughout the book, to provide both inspiration and examples of how to take your new skills further. There is something for everyone in this comprehensive, colourful encyclopedia.
Film History: An Introduction
Written by two leading film scholars, this text acknowledges the contributions of Hollywood and films from other US sources, as well as examining film-making internationally. Concepts and events are illustrated with over 1400 frame enlargements.
A Global History of Architecture
Praise for the First Edition "Because of its exceptionally wide perspective, even architectural historians who do not teach general survey courses are likely to enjoy and appreciate it." --Annali d'architettura "Not only does A Global History of Architecture own the territory (of world architecture), it pulls off this audacious task with panache, intelligence, and--for the most part--grace." --Journal of the Society of Architectural Historians Revised and updated--the compelling history of the world's great architectural achievements Organized along a global timeline, A Global History of Architecture, Second Edition has been updated and revised throughout to reflect current scholarship. Spanning from 3,500 b.c.e. to the present, this unique guide is written by an all-star team of architectural experts in their fields who emphasize the connections, contrasts, and influences of architectural movements throughout history. The architectural history of the world comes to life through a unified framework for interpreting and understanding architecture, supplemented by rich drawings from the renowned Frank Ching, as well as brilliant photographs. This new Second Edition: Delivers more coverage of non-Western areas, particularly Africa, South Asia, South East Asia, and Pre-Columbian America Is completely re-designed with full-color illustrations throughout Incorporates additional drawings by Professor Ching, including new maps with more information and color Meets the requirements set by the National Architectural Accrediting Board (NAAB) for "non-Western" architecture in history education. Offers new connections to a companion Web site, including Google EarthTM coordinates for ease of finding sites. Architecture and art enthusiasts will find A Global History of Architecture, Second Edition perpetually at their fingertips.
How to Read a Painting: Lessons from the Old Masters
Clues to the meaning of many of the masterpieces of art history lie in a rich system of symbols, themes, and motifs that often eludes modern museum-goers. The intimate knowledge of Christian theology, Greek and Roman mythology, and folklore that was so vivid in the minds of viewers during the Renaissance is rarely part of the preparation the contemporary viewer brings to a painting. This insightful, anecdotal, portable book, with 1,000 gorgeous color illustrations, helps to fill in those gaps by decoding th imagery of more than 150 of the most influential and admired artworks of all time. Covering the works of the Italian, Netherlandish, German, and Spanish Old Masters, from 1450 to 1750, paintings by artists such as Giotto, Botticelli, El Greco, Bruegel, Holbein, Rubens, and Vermeer, all held in public collections, How to Read a Painting" not only helps the viewer to understand the significant details of a picture but also explains the relationship with similar imagery in other works. The guide to Old Master paintings that every art lover has always wanted, this indispensable museum companion will open the reader to a whole new experience of Western art's most praised and visited paintings.
Looking at Art
This stimulating and fascinating introduction to art contains a series of thematic chapters covering a range of topics that will provide readers with a basis for approaching art and enjoying it. It also serves to dispel some preconceptions about the visual arts--assumptions made about a work based on an individual's own experience. Chapter topics include the appeal and aims of art, style and formal elements, artists at work, art themes, art in and out of context, approaches to art, and arguing about art. For museum goers and anyone who wants a better understanding of art.
The Philosophy of Art
Written with clarity, wit, and rigor, The Philosophy of Art provides an incisive account of the core topics in the field. The first volume in the new Foundations of the Philosophy of the Arts series, designed to provide crisp introductions to the fundamental general questions about art, as well as to questions about the several arts (such as literature, music or painting). Presents a clear and insightful introduction to central topics and on-going debates in the philosophy of art. Eight sections cover a wide spectrum of topics such as the interpretation of art, the relation between art and moral values, and the expression and arousal of emotion through art. Pedagogical features include full-color illustrations, vibrant examples, thought-provoking discussion questions and helpful suggested readings.
The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat
In this pathbreaking and richly illustrated book, Martin Kemp examines the major optically oriented examples of artistic theory and practice from Brunelleschi's invention of perspective and its exploitation by Leonardo and Durer to the beginnings of photography. In a discussion of color theory, Kemp traces two main traditions of color science: the Aristotelian tradition of primary colors and Newton's prismatic theory that influenced Runge, Turner, and Seurat. His monumental book not only adds to our understanding of a large group of individual works of art but also provides valuable information for all those interested in the interaction between science and art. "This beautifully made volume . . . shows us the unity of the visual study of nature--the exalted mutual task of Renaissance science and art."--Scientific American "[A] wonderful book. . . . Martin Kemp has convincingly demonstrated that even the most diverse styles of Western art from the Renaissance to modern times remained ever enthralled by scientific optics. . . . [A] handsome volume."--Samuel Y. Edgerton, American Scientist "An extraordinarily ambitious, even daring, enterprise. . . . The book leaves us in no doubt about its author's expertise in both fields. It includes the most comprehensive account of the development of perspective theory and practice I know."--Thomas Puttfarken, Times Higher Education Supplement "Kemp has performed a valuable service. . . . His style is lucid and he emerges as an honest broker who judiciously weighs the historical evidence. He has an impressive command of the literature of both art and optical science across much of Europe and over a span of four centuries. . . . Kemp's thesis is amply illustrated with several hundred plates, including many of his own line drawings. . . . The reader is led gently through the history of art and the details of optical science to appreciate their interrelationship."--Geoffrey Cantor, Oxford Art Journal
A World History of Architecture
A magnificently illustrated guide to theglobal history of architecture--updated toinclude the non-western world and worksfrom women The Second Edition of this historical architecturalguide gives you a deeperknowledge and wider perspective of traditions inarchitecture throughout the world--from prehistoricthrough modern structures. Extensively and beautifullyillustrated, the book includes photos, plans, scales forworld-famous structures such as the Parthenon, Versailles,the Brooklyn Bridge, and many others.
The Look of the Book
Why do some book covers instantly grab your attention, while others never get a second glance? Fusing word and image, as well as design thinking and literary criticism, this captivating investigation goes behind the scenes of the cover design process to answer this question and more. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW As the outward face of the text, the book cover makes an all-important first impression. The Look of the Book examines art at the edges of literature through notable covers and the stories behind them, galleries of the many different jackets of bestselling books, an overview of book cover trends throughout history, and insights from dozens of literary and design luminaries. Co-authored by celebrated designer and creative director Peter Mendelsund and scholar David Alworth, this fascinating collaboration, featuring hundreds of covers, challenges our notions of what a book cover can and should be.
Logo, Revised Edition
"A logo should be distinctive, memorable and clear. To be great, it should do those things better than the rest." - Michael Evamy This bestselling branding bible has provided graphic designers with an indispensable reference source for over a decade. Logo is now getting a revamp with the addition of over 300 new logos in this fully revised and updated edition. The book contains a vast visual collection of over 1,600 symbols and logotypes, including 300 brand new logos. All the logos are grouped into visual categories such as crosses, stars, crowns, animals and people, and are shown in black and white to further emphasise the visual form. The logos are from a diverse range of companies and includes design masters such as Paul Rand and Saul Bass alongside some of the most exciting work from contemporary designers. This compelling compendium takes the reader on a journey showing how each form has evolved through history. All logos are active and include household names like Disney, Apple, and Starbucks next to lesser known designs giving a comprehensive snapshot of the full scope of logo design. This is a complete, taxonomical guide to the history, development, and style of identity design. The must-have book for any graphic designer, student or type fanatic in a fully revised, updated edition. "The next time you are tempted to design a logo, take a look at this book. Chances are, it has already been done. By raising the bar, this wonderful resource will make better designers of all of us." - Michael Bierut, Pentagram