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Black Women As Leaders This book examines how black women have identified challenges in major social institutions across history and demonstrated adaptive leadership in mobilizing people to tackle those challenges facing black communities. Most studies about black women and social justice issues focus on the responses of black women to racism within the context of the feminist movement and/or the responses of black women to sexism in black liberation movements. Such discussions often fail to explore the ways in which black women's commitment to negotiating their racial, gender, and class identities, while engaged in the practice of leadership, is discouraged and ignored. Black Women as Leaders analyzes the commitment of contemporary black women to social justice issues from the perspective of adaptive leadership. It shows how black women are often forced into the public practice of leadership due to violent attacks from people with whom they are in engaged in interpersonal relationships. The book also breaks new ground by revealing how black women suffer from the devaluation and vilification of their engagement in the practice of leadership in private settings, such as their homes and selected religious and institutional settings.
Black Women of the Harlem Renaissance Era The Harlem Renaissance is considered one of the most significant periods of creative and intellectual expression for African Americans. Beginning as early as 1914 and lasting into the 1940s, this era saw individuals reject the stereotypes of African Americans and confront the racist, social, political, and economic ideas that denied them citizenship and access to the American Dream. While the majority of recognized literary and artistic contributors to this period were black males, African American women were also key contributors. Black Women of the Harlem Renaissance Era profiles the most important figures of this cultural and intellectual movement. Highlighting the accomplishments of black women who sought to create positive change after the end of WWI, this reference work includes representatives not only from the literary scene but also: Activists; Actresses; Artists; Educators; Entrepreneurs; Musicians; Political leaders and Scholars. Acknowledging the women who played vital--if not always recognized--roles in this movement, this book shows how their participation helped set the stage for the continued transformation of the black community well into the 1960s. To fully realize the breadth of these contributions, editors Lean'tin L. Bracks and Jessie Carney Smith have assembled profiles written by a number of accomplished academics and historians from across the country. As such, Black Women of the Harlem Renaissance Era will be of interest to scholars of women's studies, African American studies, and cultural history, as well as students and anyone wishing to learn more about the women of this important era.
Classic African American Women's Narratives Classic African American Women's Narratives offers teachers, students, and general readers a one-volume collection of the most memorable and important prose written by African American women before 1865. The book reproduces the canon of African American women's fiction and autobiography during the slavery era in U.S. history. Each text in the volume represents a first. Maria Stewart's Religion and the Pure Principles of Morality (1831) was the first political tract authored by an African American woman. Jarena Lee's Life and Religious Experience (1836) was the first African American woman's spiritual autobiography. The Narrative of Sojourner Truth (1850) was the first slave narrative to focus on the experience of a female slave in the United States. Frances E. W. Harper's "The Two Offers" (1859) was the first short story published by an African American woman. Harriet E. Wilson's Our Nig (1859) was the first novel written by an African American woman. Harriet Jacob's Incidents in the Life of a Slave Girl (1861) was the first autobiography authored by an African American woman. Charlotte Forten's "Life on the Sea Islands" (1864) was the first contribution by an African American woman to a major American literary magazine (the Atlantic Monthly). Complemented with an introduction by William L. Andrews, this is the only one-volume collection to gather the most important works of the first great era of African American women's writing.
A Forgotten Sisterhood: Pioneering Black Women Educators and Activists in the Jim Crow South Emerging from the darkness of the slave era and Reconstruction, black activist women Lucy Craft Laney, Mary McLeod Bethune, Charlotte Hawkins Brown, and Nannie Helen Burroughs founded schools aimed at liberating African-American youth from disadvantaged futures in the segregated and decidedly unequal South. From the late nineteenth through mid-twentieth centuries, these individuals fought discrimination as members of a larger movement of black women who uplifted future generations through a focus on education, social service, and cultural transformation. Born free, but with the shadow of the slave past still implanted in their consciousness, Laney, Bethune, Brown, and Burroughs built off each other's successes and learned from each other's struggles as administrators, lecturers, and suffragists. Drawing from the women's own letters and writings about educational methods and from remembrances of surviving students, Audrey Thomas McCluskey reveals the pivotal significance of this sisterhood's legacy for later generations and for the institution of education itself.
Gender and the Jubilee: Black Freedom and the Reconstruction of Citizenship in Civil War Missouri Gender and the Jubilee is a bold reconceptualization of black freedom during the Civil War that uncovers the political and constitutional claims made by African American women. By analyzing the actions of women in the urban environment of St. Louis and the surrounding areas of rural Missouri, Romeo uncovers the confluence of military events, policy changes, and black agency that shaped the gendered paths to freedom and citizenship. During the turbulent years of the Civil War crisis, African American women asserted their vision of freedom through a multitude of strategies. They took concerns ordinarily under the jurisdiction of civil courts, such as assault and child custody, and transformed them into military matters. African American women petitioned military police for "free papers"; testified against former owners; fled to contraband camps; and joined the army with their male relatives, serving as cooks, laundresses, and nurses. Freedwomen, and even enslaved women, used military courts to lodge complaints against employers and former masters, sought legal recognition of their marriages, and claimed pensions as the widows of war veterans. Through military venues, African American women in a state where the institution of slavery remained unmolested by the Emancipation Proclamation, demonstrated a claim on citizenship rights well before they would be guaranteed through the establishment of the Fourteenth Amendment. The litigating slave women of antebellum St. Louis, and the female activists of the Civil War period, left a rich legal heritage to those who would continue the struggle for civil rights in the postbellum era.
A Nation Can Rise No Higher Than Its Women: African American Muslim Women in the Movement for Black Self-Determination, 1950-1975 A Nation Can Rise No Higher Than Its Women: African American Muslim Women in the Movement for Black Self Determination, 1950-1975 challenges traditional notions and interpretations of African American, particularly women who joined the Original Nation of Islam during the Civil Rights-Black Power era. This book is the first major investigation of the subject that engages a wide scope of women from "The Nation" and utilizes a wealth of primary documents and personal interviews to reveal the importance of women in this community. Jeffries reveals that women were respected in the movement and maintained a very clear and often sought after voice in the advancement of the Original Nation of Islam. A Nation Can Rise No Higher Than Its Women replaces the typical portrait of the subservient and irrelevant African American Muslim woman with a far more accurate picture of their integral leadership and substantial contributions to the rise of Islam and black consciousness in the self-determination movement in the United States and beyond during the Civil Rights-Black Power era.
Originals! Black Women Breaking Barriers Originals! supplies a rich record of progress in America from the humble accomplishment in a workplace or the incremental change in small town government to the historic civil rights movers and a renowned elected politician.
Resistance Reimagined: Black Women's Critical Thought As Survival Resistance Reimagined highlights unconventional modes of black women's activism within a society that has spoken so much of freedom but has granted it so selectively. Regis Fox terms this gap between democratic promise and dispossession the "liberal problematic," and in this book she shows how black women have disrupted it as a form of resistance. Looking closely at nineteenth- and twentieth-century writings by African American women that reimagine antebellum America, Fox introduces types of black activism that differ from common associations with militancy and maleness. In doing so, she confronts expectations about what African American literature can and should be. Fox analyzes Harriet Wilson's Our Nig, Elizabeth Keckly's Behind the Scenes, Anna Julia Cooper's A Voice From the South, and Sherley Anne Williams's Dessa Rose. Too often, she argues, writers like these have been overshadowed by figures such as Sojourner Truth or Ida B. Wells, whose more tangible social defiance fits standard models of what resistance looks like. The thinkers highlighted by Fox have been dismissed as elitist, accommodationist, or complicit--yet Fox reveals that in reality, they critique the progressive ideology that underlies the liberal problematic. They are astutely attuned to the areas of American society not reached by notions of liberalism and progress. As a result, the world they portray is one of philosophical contradictions, legal paradoxes, and incoherent social practices that support white supremacy. Fox shows how these women use their writing to protest anti-black violence, reject superficial reform, call for major sociopolitical change, and challenge the false promises of American democracy.
Sister Citizen: Shame, Stereotypes, and Black Women in America Jezebel's sexual lasciviousness, Mammy's devotion, and Sapphire's outspoken anger; these are among the most persistent stereotypes that black women encounter in contemporary American life. Hurtful and dishonest, such representations force African American women to navigate a virtual crooked room that shames them and shapes their experiences as citizens. Many respond by assuming a mantle of strength that may convince others, and even themselves, that they do not need help. But as a result, the unique political issues of black women are often ignored and marginalized. In this groundbreaking book, Melissa V. Harris-Perry uses multiple methods of inquiry, including literary analysis, political theory, focus groups, surveys, and experimental research, to understand more deeply black women's political and emotional responses to pervasive negative race and gender images. Not a traditional political science work concerned with office-seeking, voting, or ideology, Sister Citizen instead explores how African American women understand themselves as citizens and what they expect from political organizing. Harris-Perry shows that the shared struggle to preserve an authentic self and secure recognition as a citizen links together black women in America, from the anonymous survivors of Hurricane Katrina to the current First Lady of the United States.
Staging Migrations Toward an American West: From Ida B. Wells to Rhodessa Jones Staging Migrations toward an American West examines how black women's theatrical and everyday performances of migration toward the American West expose the complexities of their struggles for sociopolitical emancipation. While migration is often viewed as merely a physical process, Effinger-Crichlow expands the concept to include a series of symbolic internal journeys within confined and unconfined spaces. Four case studies consider how the featured women--activist Ida B. Wells, singer Sissieretta "Black Patti" Jones, World War II black female defense-industry workers, and performance artist Rhodessa Jones--imagined and experienced the American West geographically and symbolically at different historical moments. Dissecting the varied ways they used migration to survive in the world from the viewpoint of theater and performance theory, Effinger-Crichlow re-conceptualizes the migration histories of black women in nineteenth- and twentieth-century America. This interdisciplinary study expands the understanding of the African American struggle for unconstrained movement and full citizenship in the United States and will interest students and scholars of American and African American history, women and gender studies, theater, and performance theory.
This Bridge Called My Back Originally released in 1981, This Bridge Called My Back is a testimony to women of color feminism as it emerged in the last quarter of the twentieth century. Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, "the complex confluence of identities--race, class, gender, and sexuality--systemic to women of color oppression and liberation." Reissued here, forty years after its inception, this anniversary edition contains a new preface by Moraga reflecting on Bridge's "living legacy" and the broader community of women of color activists, writers, and artists whose enduring contributions dovetail with its radical vision. Further features help set the volume's historical context, including an extended introduction by Moraga from the 2015 edition, a statement written by Gloria Anzaldúa in 1983, and visual art produced during the same period by Betye Saar, Ana Mendieta, Yolanda López, and others, curated by their contemporary, artist Celia Herrera Rodríguez. Bridge continues to reflect an evolving definition of feminism, one that can effectively adapt to and help inform an understanding of the changing economic and social conditions of women of color in the United States and throughout the world.
Vanguard: How Black Women Broke Barriers, Won the Vote, and Insisted on Equality for All The epic history of African American women's pursuit of political power -- and how it transformed America. In the standard story, the suffrage crusade began in Seneca Falls in 1848 and ended with the ratification of the Nineteenth Amendment in 1920. But this overwhelmingly white women's movement did not win the vote for most black women. Securing their rights required a movement of their own. In Vanguard, acclaimed historian Martha S. Jones offers a new history of African American women's political lives in America. She recounts how they defied both racism and sexism to fight for the ballot, and how they wielded political power to secure the equality and dignity of all persons. From the earliest days of the republic to the passage of the 1965 Voting Rights Act and beyond, Jones excavates the lives and work of black women--Maria Stewart, Frances Ellen Watkins Harper, Fannie Lou Hamer, and more--who were the vanguard of women's rights, calling on America to realize its best ideals.

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A Black Women's History of the United States A vibrant and empowering history that emphasizes the perspectives and stories of African American women to show how they are-and have always been-instrumental in shaping our country. In centering Black women's stories, two award-winning historians seek both to empower African American women and to show their allies that Black women's unique ability to make their own communities while combatting centuries of oppression is an essential component in our continued resistance to systemic racism and sexism. Daina Ramey Berry and Kali Nicole Gross offer an examination and celebration of Black womanhood, beginning with the first African women who arrived in what became the United States to African American women of today. A Black Women's History of the United States reaches far beyond a single narrative to showcase Black women's lives in all their fraught complexities. Berry and Gross prioritize many voices- enslaved women, freedwomen, religious leaders, artists, queer women, activists, and women who lived outside the law. The result is a starting point for exploring Black women's history and a testament to the beauty, richness, rhythm, tragedy, heartbreak, rage, and enduring love that abounds in the spirit of Black women in communities throughout the nation.
A Bound Woman Is a Dangerous Thing: The Incarceration of African American Women from Harriet Tubman to Sandra Bland For black American women, the experience of being bound has taken many forms: from the bondage of slavery to the Reconstruction-era criminalization of women; from the brutal constraints of Jim Crow to our own era's prison industrial complex, where between 1980 and 2014, the number of incarcerated women increased by 700%.* For those women who lived and died resisting the dehumanization of confinement--physical, social, intellectual--the threat of being bound was real, constant, and lethal. From Harriet Tubman to Assata Shakur, Ida B. Wells to Sandra Bland and Black Lives Matter, black women freedom fighters have braved violence, scorn, despair, and isolation in order to lodge their protests. In A Bound Woman Is a Dangerous Thing, DaMaris Hill honors their experiences with at times harrowing, at times hopeful responses to her heroes, illustrated with black-and-white photographs throughout.
All the Women are White, All the Blacks are Men, But Some of Us Are Brave Published in 1982, But Some of Us Are Brave was the first-ever Black women's studies reader and a foundational text of contemporary feminism. Featuring writing from eminent scholars, activists, teachers, and writers, such as the Combahee River Collective and Alice Walker, All the Women Are White, All the Blacks Are Men, But Some of Us Are Brave challenges the absence of Black feminist thought in women's studies, confronts racism, and investigates the mythology surrounding Black women in the social sciences. As the first comprehensive collection of Black feminist scholarship, But Some of Us Are Brave was recognized by Audre Lorde as "the beginning of a new era, where the 'women' in women's studies will no longer mean 'white.'
Enduring Truths: Sojourner's Shadows and Substance Runaway slave Sojourner Truth gained fame in the nineteenth century as an abolitionist, feminist, and orator and earned a living partly by selling photographic carte de visite portraits of herself at lectures and by mail. Cartes de visite, similar in format to calling cards, were relatively inexpensive collectibles that quickly became a new mode of mass communication. Despite being illiterate, Truth copyrighted her photographs in her name and added the caption "I Sell the Shadow to Support the Substance. Sojourner Truth." Featuring the largest collection of Truth's photographs ever published, Enduring Truths is the first book to explore how she used her image, the press, the postal service, and copyright laws to support her activism and herself. Darcy Grimaldo Grigsby establishes a range of important contexts for Truth's portraits, including the strategic role of photography and copyright for an illiterate former slave; the shared politics of Truth's cartes de visite and federal banknotes, which were both created to fund the Union cause; and the ways that photochemical limitations complicated the portrayal of different skin tones. Insightful and powerful, Enduring Truths shows how Truth made her photographic portrait worth money in order to end slavery--and also became the strategic author of her public self.
Eye on the Struggle: Ethel Payne, the First Lady of the Black Press Acclaimed biographer James McGrath Morris brings into focus the riveting life of one of the most significant yet least known figures of the civil rights era--pioneering journalist Ethel Payne, the "First Lady of the Black Press"--elevating her to her rightful place in history at last. For decades, Ethel Lois Payne has been hidden in the shadows of history. Now, James McGrath Morris skillfully illuminates this ambitious, influential, and groundbreaking woman's life, from her childhood growing up in South Chicago to her career as a journalist and network news commentator, reporting on some of the most crucial events in modern American history. Morris draws on a rich and untapped collection of Payne's personal papers documenting her private and professional affairs. He combed through oral histories, FBI documents, and newspapers to fully capture Payne's life, her achievements, and her legacy. He introduces us to a journalist who covered such events as the Montgomery Bus Boycott, the Little Rock school desegregation crisis, the service of black troops in Vietnam, and Henry Kissinger's 26,000-mile tour of Africa. A self-proclaimed "instrument of change" for her people, Payne broke new ground as the Washington correspondent for the Chicago Defender. She publicly prodded President Dwight D. Eisenhower to support desegregation, and her reporting on legislative and judicial civil rights battles enlightened and activated black readers across the nation. In 1964, President Lyndon B. Johnson recognized Payne's seminal role by presenting her with a pen used in signing the Civil Rights Act. In 1972, she became the first female African American radio and television commentator on a national network, working for CBS. Her story mirrors the evolution of our own modern society. Inspiring and instructive, moving and comprehensive, Eye on the Struggle illuminates this extraordinary woman and her achievements, and reminds us of the power one person has to transform our lives and our world. With 16 pages of black-and-white photos.
Florynce Flo Kennedy: The Life of a Black Feminist Radical Often photographed in a cowboy hat with her middle finger held defiantly in the air, Florynce "Flo" Kennedy (1916-2000) left a vibrant legacy as a leader of the Black Power and feminist movements. In the first biography of Kennedy, Sherie M. Randolph traces the life and political influence of this strikingly bold and controversial radical activist. Rather than simply reacting to the predominantly white feminist movement, Kennedy brought the lessons of Black Power to white feminism and built bridges in the struggles against racism and sexism. Randolph narrates Kennedy's progressive upbringing, her pathbreaking graduation from Columbia Law School, and her long career as a media-savvy activist, showing how Kennedy rose to founding roles in organizations such as the National Black Feminist Organization and the National Organization for Women, allying herself with both white and black activists such as Adam Clayton Powell, H. Rap Brown, Betty Friedan, and Shirley Chisholm. Making use of an extensive and previously uncollected archive, Randolph demonstrates profound connections within the histories of the new left, civil rights, Black Power, and feminism, showing that black feminism was pivotal in shaping postwar U.S. liberation movements.
Hair Story: Untangling the Roots of Black Hair in America Two world wars, the Civil Rights movement, and a Jheri curl later, Blacks in America continue to have a complex and convoluted relationship with their hair. From the antebellum practice of shaving the head in an attempt to pass as a "free" person to the 1998 uproar over a White third-grade teacher's reading of the book Nappy Hair, the issues surrounding African American hair continue to linger as we enter the twenty-first century. Hair Story is a historical and anecdotal exploration of Black Americans' tangled hair roots. A chronological look at the culture and politics behind the ever-changing state of black hair from fifteenth-century Africa to the present-day United States, it ties the personal to the political and the popular. Read about: Why Black American slaves used items like axle grease and eel skin to straighten their hair; How a Mexican chemist straightened black hair using his formula for turning sheep's wool into a minklike fur; How the Afro evolved from militant style to mainstream fashion trend; What prompted the creation of the Jheri curl and the popular style's fall from grace; The story behind Bo Derek's controversial cornrows and the range of reactions they garnered. Major figures in the history of black hair are presented, from early hair-care entrepreneurs Annie Turnbo Malone and Madam C. J. Walker to unintended hair heroes like Angela Davis and Bob Marley. Celebrities, stylists, and cultural critics weigh in on the burgeoning sociopolitical issues surrounding black hair, from the historically loaded terms good and bad hair, to black hair in the workplace, to mainstream society's misrepresentation and misunderstanding of kinky locks. Hair Story is the book that Black Americans can use as a benchmark for tracing a unique aspect of their history, and it's a book that people of all races will celebrate as the reference guide for understanding black hair.
Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who helped Win The Space Race "Before John Glenn orbited the earth or Neil Armstrong walked on the moon, a group of dedicated female mathematicians known as "human computers" used pencils, slide rules and adding machines to calculate the numbers that would launch rockets and astronauts into space. Among these problem-solvers were a group of exceptionally talented African American women, some of the brightest minds of their generation. Originally relegated to teaching math in the South's segregated public schools, they were called into service during the labor shortages of World War II, when America's aeronautics industry was in dire need of anyone who had the right stuff. Suddenly, these overlooked math whizzes had a shot at jobs worthy of their skills, and they answered Uncle Sam's call, moving to Hampton, Virginia, and the fascinating, high-energy world of the Langley Memorial Aeronautical Laboratory. Even as Virginia's Jim Crow laws required them to be segregated from their white counterparts, the women of Langley's all-black "West Computing" group helped America achieve one of the things it desired most: a decisive victory over the Soviet Union in the Cold War, and complete domination of the heavens." -- Publisher's description
Household Workers Unite: The Untold Story of African American Women Who Built a Movement Telling the stories of African American domestic workers, this book resurrects a little-known history of domestic worker activism in the 1960s and 1970s, offering new perspectives on race, labor, feminism, and organizing. In this groundbreaking history of African American domestic-worker organizing, scholar and activist Premilla Nadasen shatters countless myths and misconceptions about a historically misunderstood workforce. Resurrecting a little-known history of domestic-worker activism from the 1950s to the 1970s, Nadasen shows how these women were a far cry from stereotyped passive and powerless victims; they were innovative labor organizers who tirelessly organized on buses and streets across the United States to bring dignity and legal recognition to their occupation. Dismissed by mainstream labor as "unorganizable," African American household workers developed unique strategies for social change and formed unprecedented alliances with activists in both the women's rights and the black freedom movements. Using storytelling as a form of activism and as means of establishing a collective identity as workers, these women proudly declared, "We refuse to be your mammies, nannies, aunties, uncles, girls or handmaidens any longer." With compelling personal stories of the leaders and participants on the front lines, Household Workers Unite gives voice to the poor women of color whose dedicated struggle for higher wages, better working conditions, and respect on the job created a sustained political movement that endures today.
Princess of the Hither Isles: A Black Suffragist's Story From the Jim Crow South A compelling reconstruction of the life of a black suffragist, Adella Hunt Logan, blending family lore, historical research, and literary imagination. Born during the Civil War into a slaveholding family that included black, white, and Cherokee forebears, Adella Hunt Logan dedicated herself to advancing political and educational opportunities for the African American community. She taught at Alabama's Tuskegee Institute but also joined the segregated woman suffrage movement, passing for white in order to fight for the rights of people of color. Her determination--as a wife, mother, scholar, and activist --to challenge the draconian restraints of race and gender generated conflicts that precipitated her tragic demise. Historian Adele Logan Alexander--Adella Hunt Logan's granddaughter--portrays Adella, her family, and contemporaries such as Booker T. Washington, Susan B. Anthony, Frederick Douglass, George Washington Carver, Theodore Roosevelt, and W. E. B. Du Bois. Alexander bridges the chasms that frustrate efforts to document the lives of those who traditionally have been silenced, weaving together family lore, historical research, and literary imagination into a riveting, multigenerational family saga.
Reflections by Rosa Parks On December 1, 1955, Rosa Parks refused to move to the back of a city bus in Montgomery, Alabama. She was not trying to start a movement. She was simply tired of the social injustice. Yet, her simple act of courage started a chain of events that forever shaped the landscape of American race relations. Now, decades after her quiet defiance inspired the modern civil rights movement, Mrs. Parks's own words tell of her courageous life, her passion for freedom and equality, and her strong faith. Reflections by Rosa Parks celebrates the principles and convictions that guided her through a remarkable life. It is a printed record of her legacy--her lasting message to a world still struggling to live in harmony. Including historic and beautiful pictures, this collection of Rosa Parks's reflections includes topics like dealing with fear, facing injustice, developing character and determination, faith in God, and her hope for the future. "I want to be remembered as a person who stood up to injustice," writes Rosa Parks, "who wanted a better world for young people." With Mrs. Parks's words of wisdom, humility, and compassion, this book will inspire people of all races to carry on her great legacy.
The Three Mothers: How the Mothers of Martin Luther King, Jr., Malcolm X, and James Baldwin Shaped a Nation In her groundbreaking and essential debut The Three Mothers, scholar Anna Malaika Tubbs celebrates Black motherhood by telling the story of the three women who raised and shaped some of America's most pivotal heroes: Martin Luther King, Jr., Malcolm X, and James Baldwin. Much has been written about Berdis Baldwin's son James, about Alberta King's son Martin Luther, and Louise Little's son Malcolm. But virtually nothing has been said about the extraordinary women who raised them, who were all born at the beginning of the 20th century and forced to contend with the prejudices of Jim Crow as Black women. Berdis, Alberta, and Louise passed their knowledge to their children with the hope of helping them to survive in a society that would deny their humanity from the very beginning--from Louise teaching her children about their activist roots, to Berdis encouraging James to express himself through writing, to Alberta basing all of her lessons in faith and social justice. These women used their strength and motherhood to push their children toward greatness, all with a conviction that every human being deserves dignity and respect despite the rampant discrimination they faced. These three mothers taught resistance and a fundamental belief in the worth of Black people to their sons, even when these beliefs flew in the face of America's racist practices and led to ramifications for all three families' safety. The fight for equal justice and dignity came above all else for the three mothers. These women, their similarities and differences, as individuals and as mothers, represent a piece of history left untold and a celebration of Black motherhood long overdue.