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Athenian Potters and Painters Volume III Athenian Potters and Painters III presents a rich mass of new material on Greek vases, including finds from excavations at the Kerameikos in Athens and Despotiko in the Cyclades. Some contributions focus on painters or workshops - Paseas, the Robinson Group, and the structure of the figured pottery industry in Athens; others on vase forms - plates, phialai, cups, and the change in shapes at the end of the sixth century BC. Context, trade, kalos inscriptions, reception, the fabrication of inscribed painters' names to create a fictitious biography, and the reconstruction of the contents of an Etruscan tomb are also explored. The iconography and iconology of various types of figured scenes on Attic pottery serve as the subject of a wide range of papers - chariots, dogs, baskets, heads, departures, an Amazonomachy, Menelaus and Helen, red-figure komasts, symposia, and scenes of pursuit. Among the special vases presented are a black spotlight stamnos and a column krater by the Suessula Painter. Athenian Potters and Painters III, the proceedings of an international conference held at the College of William and Mary in Virginia in 2012, will, like the previous two volumes, become a standard reference work in the study of Greek pottery.
The Codrus Painter: Iconography and Reception of Athenian Vases in the Age of Pericles The Codrus Painter was a painter of cups and vases in fifth-century B.C.E. Athens with a distinctive style; he is named after Codrus, a legendary Athenian king depicted on one of his most characteristic vases. He was active as an artist during the rule of Pericles, as the Parthenon was built and then as the troubled times of the Peloponnesian War began. In contrast to the work of fellow artists of his day, the vases of the Codrus Painter appear to have been created almost exclusively for export to markets outside Athens and Greece, especially to the Etruscans in central Italy and to points further west. Amalia Avramidou offers a thoroughly researched, amply illustrated study of the Codrus Painter that also comments on the mythology, religion, arts, athletics, and daily life of Greece depicted on his vases. She evaluates his style and the defining characteristics of his own hand and of the minor painters associated with him. Examining the subject matter, figure types, and motifs on the vases, she compares them with sculptural works produced during the same period. Avramidou's iconographic analysis not only encompasses the cultural milieu of the Athenian metropolis, but also offers an original and intriguing perspective on the adoption, meaning, and use of imported Attic vases among the Etruscans.
The Emergence of the Classical Style in Greek Sculpture In this wide-ranging study, Richard Neer offers a new way to understand the epoch-making sculpture of classical Greece. Working at the intersection of art history, archaeology, literature, and aesthetics, he reveals a people fascinated with the power of sculpture to provoke wonder in beholders. Wonder, not accuracy, realism, naturalism or truth, was the supreme objective of Greek sculptors. Neer traces this way of thinking about art from the poems of Homer to the philosophy of Plato. Then, through meticulous accounts of major sculpture from around the Greek world, he shows how the demand for wonder-inducing statues gave rise to some of the greatest masterpieces of Greek art. Rewriting the history of Greek sculpture in Greek terms and restoring wonder to a sometimes dusty subject, The Emergence of the Classical Style in Greek Sculpture is an indispensable guide for anyone interested in the art of sculpture or the history of the ancient world.
Ornamental Wall Painting in the Art of the Assyrian Empire This study brings together the archaeological record and the pictorial documentation of ornamental wall painting produced in Assyria, from the thirteenth to the seventh centuries B.C. Nimrud, Khorsabad, Til Barsip, and Tell Sheikh Hamad, are among the ancient sites where impressive wall paintings were discovered; unfortunately most of these discoveries now exist in drawings and photographs only.Ornamental wall painting created a colorful and meaningful visual impact to the rooms of residences belonging to the Assyrian kings. The assembled material demonstrates that the polychrome and black-and-white decorated bands of geometric, floral, figural, and animal motifs were arranged into a variety of formulaic designs. Particular attention is given to the changing trends in the selection and combination of motifs, some of which had symbolic meaning. The chronology of the wall paintings at Til Barsip and the accompanying discussion of textile patterns are of special interest to the art historian. This book illustrates the ornamental wall paintings as recorded in the excavation reports.
Personal Styles in Early Cycladic Sculpture The definitive work by the foremost expert on Cycladic sculpture Personal Styles in Early Cycladic Sculpture represents the culmination of some thirty-five years of study. Pat Getz-Gentle offers here much new material and many fresh insights into a tradition, rooted in the Neolithic period, that spanned most of the third millennium B.C. Getz-Gentle begins with a review of this tradition, placing particular emphasis on the stages leading to the reclining figure with folded arms that is the unique and quintessential icon of the early Bronze age culture at the center of the Aegean. She then focuses on the styles of fifteen carvers, several of whom are identified and discussed here for the first time. By introducing little-known pieces attributable to these sculptors, she illuminates various phases of their artistic development. With a strong aesthetic sense and a practiced approach grounded in keen observation, Getz-Gentle provides clear and detailed discussions illustrated by photos and drawings of 212 different works. Complementing her observations is a chapter by art historian Jack de Vries, who offers the first published summary of his study of Cycladic images and tests the validi
Polis and Personification in Classical Athenian Art In this study Dr Smith investigates the use of political personifications in the visual arts of Athens in the Classical period (480-323 BCE). Whether on objects that served primarily private roles (e.g. decorated vases) or public roles (e.g. cult statues and document stelai), these personifications represented aspects of the state of Athens--its people, government, and events--as well as the virtues (e.g. Nemesis, Peitho or Persuasion, and Eirene or Peace) that underpinned it. Athenians used the same figural language to represent other places and their peoples. This is the only study that uses personifications as a lens through which to view the intellectual and political climate of Athens in the Classical period.
Royal Statuary of Early Dynastic Mesopotamia The corpus of Early Dynastic figurative monuments from ancient Mesopotamia is substantial. For many years, establishing the chronological sequence and development of these artifacts has been a complicated and problematic task. In this volume-first published in Italian in 2006 and here translated, revised, and updated-Gianni Marchesi and Nicolò Marchetti provide a complete relative chronology for these remarkable objects. Having established the chronological sequence through an examination of the archaeological contexts of the excavated pieces and the analysis of their inscriptions, the authors then consider the significance of the changes, over time, in the subject matter of figurative arts, noting a gradual shift from a stage in which the entire officialdom of early polities was celebrated to a stage in which the figure of the king alone becomes the main and then almost the only object of celebration. Near the end of the Early Dynastic period, which was a time of continual political upheaval, new iconographic details were introduced in order to characterize the royal figure, and a distinctive royal iconography began to be developed. Starting from these observations, the authors proceed to investigate the ideology of early polities in Mesopotamia and the role and functions of the king. Along with a new chronology of Early Dynastic rulers and an outline of Early Dynastic history, discussions of significant monuments and inscriptions are offered. In addition, all known inscriptions on royal statues are edited and provided with detailed commentaries. First published in 2006 as La statuaria regale nella Mesopotamica Protodinastica (Rome: Bardi Editore).
Syro-Hittite Monumental Art and the Archaeology of Performance The ceremonial centers of the Syro-Hittite city-states (1200-700 BC) were lavishly decorated with large-scale, open-air figurative reliefs - an original and greatly influential artistic tradition that has captivated the imagination of its contemporaries as well as that of modern scholars. This volume explores how Syro-Hittite monumental art was used as a powerful backdrop to important ritual events, and it opens up a new perspective by situating the monumental heritage in the context of large public performances and civic spectacles of great emotional impact. The first part of the volume focuses on the sites of Carchemish and Zincirli, offering a close reading of the relevant archaeological contexts. The second part of the volume discusses the embedment of monumental art in ritual performance and examines how change in art relates to change in ceremonial behavior, and how the latter relates in turn to change in power structures and models of rulership.

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Aegean Art and Architecture The amazing discovery of the 'first European civilization' in Crete, Greece and the Aegean islands during the late nineteenth and early twentieth centuries was beyond what anyone had imagined. Beginning with the Neolithic period, before 3000 BCE, and ending at the close of the Bronze Age andthe transition to the Iron Age of Hellenic Greece (c.1000 BCE), this is the first comprehensive introduction to the visual arts and architecture of this extraordinary era.This book introduces the reader to the historical and social contexts within which the arts - pottery, gold, silver, and ivory objects, gravestone reliefs, frescoes, and architecture - of the Aegean area developed. It examines the functions they served, and the ways in which they can be read asevidence for the interactions of many different peoples and societies in the eastern Mediterranean. It also provides an up-to-date critical historiography of the field in its relationship to the growth of ancient art history, archaeology, and museology in the nineteenth and twentieth centuries,giving a contemporary audience a clear appreciation of what has been at stake in the uncovering and reconstruction of this ancient society.
Ancient Egyptian Art and Architecture: A Very Short Introduction From Berlin to Boston, and St Petersburg to Sydney, ancient Egyptian art fills the galleries of some of the world's greatest museums, while the architecture of Egyptian temples and pyramids has attracted tourists to Egypt for centuries. But what did Egyptian art and architecture mean to thepeople who first made and used it - and why has it had such an enduring appeal? In this Very Short Introduction, Christina Riggs explores the visual arts produced in Egypt over a span of some 4,000 years. The stories behind these objects and buildings have much to tell us about how people in ancient Egypt lived their lives in relation to each other, the natural environment, andthe world of the gods. Demonstrating how ancient Egypt has fascinated Western audiences over the centuries with its impressive pyramids, eerie mummies, and distinctive visual style, Riggs considers the relationship between ancient Egypt and the modern world.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, andenthusiasm to make interesting and challenging topics highly readable.
Art in the Hellenistic World What was Hellenistic art, and what were its contexts, aims, achievements, and impact? This textbook introduces students to these questions and offers a series of answers to them. Its twelve chapters and two 'focus' sections examine Hellenistic sculpture, painting, luxury arts, and architecture. Thematically organized, spanning the three centuries from Alexander to Augustus, and ranging geographically from Italy to India and the Black Sea to Nubia, the book examines key monuments of Hellenistic art in relation to the great political, social, cultural, and intellectual issues of the time. It is illustrated with 170 photographs (mostly in color, and many never before published) and contextualized through excerpts from Hellenistic literature and inscriptions. Helpful ancillary features include maps, appendices with background on Hellenistic artists and translations of key documents, a full glossary, a timeline, brief biographies of key figures, suggestions for further reading, and bibliographical references.
The Art of Egyptian Hieroglyphics The Art of Egyptian Hieroglyphics is a spectacular celebration of the art of ancient Egypt as represented in hieroglyphic artifacts and the painting and reliefs that accompanied them. After introductory chapters covering the deciphering of hieroglyphics and the techniques involved, the book features a stunning collection of beautifully reproduced examples of masterpieces of the genre, ranging from the discoveries in the Valley of the Kings and the Valley of the Queens to the graphic accounts of everyday life to be found in the lesser-known -but equally intriguing - Valley of the Artisans. A superb evocation of a civilization that continues to fascinate today.
The Art of Mesoamerica: from Olmec to Aztec Expanded and revised in its sixth edition, The Art of Mesoamerica surveys the artistic achievements of the high prehispanic civilizations of Central America - Olmec, Maya, Teotihuacan, Toltec and Aztec - as well as those of their lesser-known contemporaries.Providing an in-depth examination of central works, this book guides readers through the most iconic palaces, pyramids, sculptures and paintings. From the Olmec Colossal Head 5 recovered from San Lorenzo to the Aztec Calendar Stone found in Mexico City's Zócalo in 1790, this book reveals the complexity and innovation behind the art and architecture produced in prehispanic civilizations.This new edition incorporates new lavish colour images and extensive updates based on the latest research and dozens of recent discoveries, particularly in Maya art, where excavations at Teotihuacan, the largest city of Mesoamerica, and Tenochtitlan, the capital of the Aztecs, have yielded new sculptures.
Assyria to Iberia: At the Dawn of the Classical Age A sweeping survey of objects from one of the richest artistic periods in history This comprehensive book explores the spectacular art of the first millennium B.C. from the Near East to Western Europe. This was the world of Odysseus, in which trade proliferated with Phoenician merchants; of King Midas, whose tomb was adorned with treasures; and of the Bible, whose stories are illuminated by recent artistic and archeological discoveries. It was also a time of rich cultural exchange across the Mediterranean and Near East as diverse populations interacted through trade, travel, and migration. Assyria to Iberia showcases masterpieces that reflect the cultural encounters of this era. Stunning details convey the beauty and significance of more than 300 objects drawn from collections around the globe. These objects include carved reliefs from the majestic palaces of ancient Assyria, Phoenician fine bronze metalwork and carved ivories, and luxurious jewelry. Texts by over 80 international scholars provide a compelling picture of this fascinating period, one that is essential to understanding the origins of Western culture and art.
The Cambridge History of Painting in the Classical World Painting was one of the major achievements of the Classical world. This book examines the development of mural and panel painting in the Classical world from the earliest Minoan and Cycladic frescoes of the Aegean Bronze Age to late Roman painting, from approximately 1800 BC to AD 400. It provides a comprehensive study of major monuments, including exciting new material that has been discovered in recent years and has transformed the field. It also offers a critical overview of scholarly debates and controversies on aspects of style, iconography, technique and cultural context. This volume provides an up-to-date and much-needed overview of the monuments that are now known and of the ideas that have been generated about them.
Classical Art: From Greece to Rome The stunning masterpieces of Ancient Greece and Rome are fundamental to the story of art in Western culture and to the origins of art history. The expanding Greek world of Alexander the Great had an enormous impact on the Mediterranean superpower of Rome. Generals, rulers, and artists seized,imitated, and re-thought the stunning legacy of Greek painting and sculpture, culminating in the greatest art-collector the world had ever seen, the Roman emperor, Hadrian.This exciting new look at Classical art starts with the excavation of the buried city of Pompeii, and investigates the grandiose monuments of ancient tyrants, and the sensual beauty of Apollo and Venus. Concluding with that most influential invention of all, the human portrait, it highlights there-discovery of Classical art in the modern world, from the treasure hunts of Renaissance Rome to scientific retrieval in the twenty-first century.
Eastern Medieval Architecture: the building traditions of Byzantium and neighboring lands The rich and diverse architectural traditions of the Eastern Mediterranean and adjacent regions are the subject of this book. Representing the visual residues of a "forgotten" Middle Ages, the social and cultural developments of the Byzantine Empire, the Caucasus, the Balkans, Russia, and theMiddle East parallel the more familiar architecture of Western Europe. The book offers an expansive view of the architectural developments of the Byzantine Empire and areas under its cultural influence, as well as the intellectual currents that lie behind their creation. The book alternates chaptersthat address chronological or regionally-based developments with thematic studies that focus on the larger cultural concerns, as they are expressed in architectural form.
The Encyclopedia of Ancient Egyptian Architecture The definitive reference on the diverse monuments built by the ancient Egyptians across three millennia, this generously illustrated volume surveys the ancient world's most remarkable architecture. Dieter Arnold--a leading expert on Egyptian building and design--includes more than 300 illustrations and 600 alphabetically arranged entries spanning every type of building and every aspect of construction and design. He provides separate entries for each of the major Egyptian sites, from Abu Simbel in the south to Cleopatra's palaces in Alexandria. These document ordinary towns and houses as well as monuments as varied as the Step Pyramid of Djoser (the world's first significant stone building), the tombs of the Valley of the Kings, Hatshepsut's mortuary temple at Deir el-Bahari, and the great temples that line the Upper Nile. Other entries cover materials (from reed and mud-brick to sandstone and granite) and construction techniques (including pyramid building and the erection of obelisks). The accessible text also addresses the symbolic meanings of various types of building, the importance of building orientation, and myriad architectural features, such as columns and false doors. Destined to be the standard reference for years to come, this comprehensive encyclopedia offers a welcome overview of the magnificent structures that continue to lure pilgrims and tourists, impress architects, and inspire awe. It will be enjoyed by serious devotees of architecture and archaeology as well as by armchair travelers and all who have wondered how the great pyramids were built.
Greek Art First published in the early 1960s, this history of Greek art has beenenlarged and rewritten. It takes into account new finds as well as newideas and attitudes to the subject, and emphasizes that Greek artshould be seen in its proper context, not that of galleries andmuseums.
Herculaneum : Art of a Buried City A sumptuously illustrated survey of the art and architecture of this prosperous Roman town, remarkably preserved by the eruption of Mount Vesuvius in AD 79 Herculaneum, located on the picturesque Bay of Naples, was buried in the same volcanic eruption as its larger neighbor, Pompeii. But while Pompeii was covered by a relatively shallow layer of loose volcanic ash, Herculaneum was submerged in deep flows of hot volcanic mud, which preserved the upper stories of buildings, as well as organic materials like wooden furnishings and foodstuffs. This oversized volume opens with an account of the city's catastrophic destruction in AD 79, and of the excavations, underway since 1738, that have brought at least a part of its treasures back to light. It then surveys the principal public buildings and private residences that have been uncovered, including the famous Villa of the Papyri, perched to the northwest of the town. The splendid decoration of these ancient structures--in particular, their wall paintings--is presented as never before, thanks to an extensive photographic campaign carried out especially for this book. With these superb illustrations complementing an authoritative text, Herculaneum is sure to be welcomed by all students and enthusiasts of archaeology.
The Infinite Image : Art, Time and the Aesthetic Dimension in Antiquity In the ancient civilizations of the Near East and Mediterranean, images were used as a way to create reality and reach out to the infinite. Reviving the fascination that gripped the avant-garde and the surrealists when confronted with the arts of the ancient Near East, The Infinite Image presents a radical new reading of Mesopotamian art as an aesthetic realm defined by objects that transcend time in order to carry traces of the past into the present. Zainab Bahrani’s book opens in the early twentieth century, when artists and intellectuals like Alberto Giacometti, Henry Moore, and Georges Bataille were captivated by the ancient sculptures they encountered in European museums--before the question of the aesthetic in ancient art was rejected by rationalist scientific archaeology later in the century. She then travels back through the writings of Derrida, Hegel, Kant, and Plato to Mesopotamia, using these thinkers to argue that ancient images formed an aesthetic dimension that was both historical and evolving. She also addresses issues of the politics of cultural heritage important to Near Eastern art in the context of the wars in Iraq and Afghanistan and current instabilities in the Middle East. With over one hundred illustrations, The Infinite Image will be necessary reading for anyone interested in the questions at the center of contemporary history and the anthropology of art.
Larousse Encyclopedia of Prehistoric and Ancient Art
Mesopotamia : ancient art and architecture This book is the first in ten years to present a comprehensive survey of art and architecture in Mesopotamia (modern Iraq, northeast Syria and southeast Turkey), from 8000 BCE to the arrival of Islam in 636 BCE. The book is richly illustrated with c. 400 full-colour photographs, and maps and time charts that guide readers through the chronology and geography of this part of the ancient Near East. The book addresses such essential art historical themes as the origins of narrative representation, the first emergence of historical public monuments and the earliest aesthetic commentaries. It explains how images and monuments were made and how they were viewed. It also traces the ancient practices of collecting and conservation and rituals of animating statues and of architectural construction. Accessible to students and non-specialists, the book expands the scope of standard surveys to cover art and architecture from the prehistoric to the Roman era, including the legendary cities of Ur, Babylon, Nineveh, Hatra and Seleucia on the Tigris.
On the Fascination of Objects The Shefton Collection in Newcastle upon Tyne contains a fine array of Greek and Etruscan objects and takes its name from its founder Professor Brian Shefton (1919 - 2012). In spite of the importance of this collection it has not been widely published and remains something of a hidden gem. Brian Shefton was an insightful collector, as well as a distinguished scholar of Greek and Etruscan archaeology, and the 14 papers presented here reflect the broad scope of the collection; ranging across pottery, jewellery, terracottas and metalwork. The contributions, written by leading experts in the field, focus on specific objects or groups of objects in the Collection, providing new interpretations and bringing previously unpublished items to light. The history of the Shefton Collection is explored. Together these contributions provide a tribute to a remarkable individual who made a substantial and notable contribution to his discipline.